Review: First Grave on the Right (Charley Davidson #1) by Darynda Jones

First Grave on the Right (Charley Davidson, #1)First Grave on the Right by Darynda Jones
My rating: 2 of 5 stars

Published February 1st 2011 by St. Martin’s Press

(first published January 1st 2011)
ISBN: 0312662750  
ISBN13: 9780312662752


A smashing, award-winning debut novel that introduces Charley Davidson: part-time private investigator and full-time Grim Reaper Charley sees dead people. That’s right, she sees dead people. And it’s her job to convince them to “go into the light.” But when these very dead people have died under less than ideal circumstances (i.e. murder), sometimes they want Charley to bring the bad guys to justice. Complicating matters are the intensely hot dreams she’s been having about an Entity who has been following her all her life…and it turns out he might not be dead after all. In fact, he might be something else entirely. –from Goodreads

I chose this book because its average rating is pretty high, despite the very chick lit cover. Also I have been very into ghosts and necromancers lately. (This was one of my I-need-Alex-Craft-but-can’t-have-her-til-August options)

One chapter in, I didn’t think I was going to finish it. Three chapters in I figured I had come too far to go back. The reason this book and I didn’t hit it off right away is two-fold. First, the protagonist, Charley Davidson’s narration was like the reading equivalent of having a conversation with your comedian friend who doesn’t ever shut up. The incessant stream of campy jokes didn’t work. It’s rare that “witty” book banter works for me. Probably because it is exactly my brand of senseless humor and I can only handle myself in small doses. When it permeates the book, well…

The second reason I can’t say I liked the book is how the private investigation/case aspect of the plot was executed. I was never sure what was going on, it was consistently pushed to the background and played second fiddle to the romance, but would be pulled back so suddenly I got eye-whiplash. Every time a character was mentioned I had to look up who it was because I couldn’t remember. This could be partially my fault, because I didn’t much care about any of the characters, but the fact that they were all pretty one dimensional with common Anglo names didn’t help.

I did like how complete Charley seemed to be as a character. She had backstory & interesting relationships with her ex cop dad and currently-a-cop uncle. There was a lack of dimension to her relationships with other characters, especially the main romance guy person, but her defenses in regard to how people treated her talents was realistic, which was nice. EDIT: Now that I think about it though, Charley’s relationship with Reyes begins with a very brief moment when she is in high school and he threatens to rape her. I think I just blocked that out until I was reminded reading other reviews. Da fuq.

Overall I disliked more things about the book than I liked. Which is unfortunate, because normally I’d like any gal who calls her breasts Danger and Will Robinson. I have the second book but I doubt I’ll read it.

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Review: Beautiful Creatures (Caster Chronicles #1) by Kami Garcia & Margaret Stohl

Beautiful Creatures (Caster Chronicles, # 1) Beautiful Creatures
by Kami Garcia
My rating: 2 of 5 stars

Published December 1st 2009
 by Little, Brown and Company
ISBN 0316042676 
ISBN13: 9780316042673)

Lena Duchannes is unlike anyone the small Southern town of Gatlin has ever seen, and she’s struggling to conceal her power, and a curse that has haunted her family for generations. But even within the overgrown gardens, murky swamps and crumbling graveyards of the forgotten South, a secret cannot stay hidden forever. Ethan Wate, who has been counting the months until he can escape from Gatlin, is haunted by dreams of a beautiful girl he has never met. When Lena moves into the town’s oldest and most infamous plantation, Ethan is inexplicably drawn to her and determined to uncover the connection between them. In a town with no surprises, one secret could change everything. –from Goodreads

I just finished this book, and then promptly threw it across the room. I am not being hyperbolic. I THREW IT ACROSS THE ROOM.

Let me be clear, I love long books. 600 pages? BRING IT.

I love stories set in small southern towns. Probably because I’ve never been to one. My friend Ana says she has cousins in North Carolina and there is nothing to be obsessed about. I reserve the right to disbelieve this.

And lastly, I love fantasy. I love witches. Ahem, Casters. I love all of it. I even (and if you repeat this anywhere I will fervently deny it) love cliche teen paranormal romances. I am a fan of the Twilight series, for crying out loud.

So please, tell me, WHY didn’t I like this book? I really, really wanted to. I really want to go see the movie on Thursday and fangirl like there is no tomorrow.

There isn’t anything wrong with the writing. The writing is not bad. Aside from some overusage of certain words and terms, characters calling out each other’s names too often, it was not bad.

The plot was dense. This is atypical of stories like this, but stuff happened. Lots of stuff. In fact, I am pretty sure some stuff happened that I am not even aware of. I like how much time the narrative covered, also atypical. My preference in books is to be taken along for the ride the entire way through, no time skippage. I want to know when the characters do the dishes and mow the lawn. I am very unusual in this. Beautiful Creatures doesn’t really do this. There is a lot of secondhand retelling being done, which brings me to the narration.

Ethan Wate seems like a nice kid, albeit dry of personality, and while I liked that his family problems and basketball playing and dreams of travel are a part of his background, once Lena shows up he becomes just another Bella Swan. He doesn’t spend a lot of time doing, thinking, or talking about anything that isn’t Lena. He is a male protagonist who could fail a reverse Bechdel test. I think this is the root of many of my problems with this book. I think it is a novel idea to write a romance from a male perspective, maybe to normalize sensitive male characters, but if anything this example shows how flat such characters can be.

I hate to keep drawing Twilight comparisons, but hoo boy does Lena Duchannes have some serious Edward Cullen parallels. Readers also don’t get a good reading of her personality either, possibly because of the lack of dialogue. And while I will agree that 15 year old girls really do get into poetry, it just seemed so hackneyed. I didn’t dislike Lena, I just didn’t feel anything toward her.

Let’s not even get me started with Ridley and the stereotypical slutty bad girl trope. I did like Macon and Boo Radley. Marian Ashcroft was, of course, my favorite character. Everyone else? Big blank.

I want to be clear that I didn’t hate this book. I just felt like it had all of the right parts and pieces to be something really great, and just, didn’t. It didn’t have any soul? No heart. Just lots of high stakes and doom and unexplained fantastical elements. If it were about 300 pages shorter it might have been a really engrossing read.

I’m giving it three stars because I feel any less would be uncharitable, and it’s not a bad book. Just one of which I will not be reading the sequels.

Edit: NOPE. Can’t do it. Two stars.

2/20: Saw the movie on Galentine’s Day with my gurls. I was that loud huffy girl in the back, completely outraged at how bad it was. PLEASE LET’S DISCUSS.

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Review: Dead Man Rising (Dante Valentine, #2) by Lilith Saintcrow

Dead Man Rising (Dante Valentine, #2)Dead Man Rising by Lilith Saintcrow
My rating: 3 of 5 stars

I’m sure if I’d been having a better day I would be darkly amused by the glossary at the end of this book. The glossary which should have been at the end of the first book and also integrated into the story. But whatever.

I think what sets my teeth on edge so much about this series is how fundamentally damaged Dante Valentine is/is supposed to be, yet she doesn’t function like the fundamentally damaged, per se. I’m no expert and everyone is different, but there seem to be a good deal of psychological missteps here. Paired with unreliable narration, stingy exposition, and unusual pacing, I can’t love these books. I am not even sure if I can like them. Yet I seem to keep reading them?

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Review: Hold Me Closer, Necromancer (Necromancer, #1) by Lish McBride

Hold Me Closer, Necromancer (Necromancer, #1)Hold Me Closer, Necromancer by Lish McBride
My rating: 2 of 5 stars

Definitely not what I expected. I would recommend this to YA readers, specifically YA aged readers, with a specific sense of humor. Maybe fans of Christopher Moore, but this book is far more lighthearted than that. Lots of inane banter, which I would be into if it didn’t sound like a neutered preteen version of Buffy-banter.

Maybe coming off of much darker more romancey necromancer stuff made this quick read less enjoyable. I don’t know. I got a kick out of the titles of the chapters, but probably I came in with Expectations. I don’t remember laughing at all, but then, most dialogue banter leaves me cold. The only writer of this genre I think can really amuse me the way McBride may have been aiming for is Sarah Rees Brennan. I am a joyless harridan but what are you gonna do?

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Review: Working for the Devil (Dante Valentine, #1) by Lilith Saintcrow

Working for the Devil (Dante Valentine, #1)Working for the Devil by Lilith Saintcrow
My rating: 3 of 5 stars

Okay, the long and short of it is that up until the last probably twenty pages I disliked this book, to a degree. No. Not true. I loathed it. Fiercely. The character development was not going very well and I was annoyed at how opaque the world-building and backstory were.

At 9% I was like “Ugh hope this gets better.” At 40% I was like “WHY WON’T SHE EXPLAIN ANYTHING OR LIKE, BE NICE TO HER FRIENDS?????” and now, at 69% I am just ultra baffled at why anyone would say this book is paced well and isn’t harboring a grudge against the editor that could have made it SO SO GOOD with very few well chosen suggestions. I will never again criticize info dumps. I will cherish them.

But then love story and glorious action. Stakes high enough. Realistic consequences. Tragedy.

This book still had a lot of flaws, but I was won over at the last minute. I guess all it takes to book-seduce me is to write me an unlikely romance and then kill off my favorite character. I have issues.

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Review: Lord’s Fall (Elder Races, #5) by Thea Harrison

Lord's Fall (Elder Races, #5)Lord’s Fall by Thea Harrison
My rating: 4 of 5 stars

The best of Thea Harrison’s Elder Races books so far. Revisiting Dragos and Pia wasn’t at all tedious like I’d expected it to be. In fact, I liked both characters much more than I had when I read Dragon Bound. Maybe it was due to my familiarity with the world at this point – far less info dumping. However, it probably had more to do with the fact that both characters were more rational and less annoying. Dragos wasn’t stalkery-controlling (as much) and Pia wasn’t wimpy and….irritating.

The premise is that Dragos is staging a massive competition to replace two Sentinels, in the style of a set of gladiator-esque Games. There is something about competition brackets that I love. I can’t explain it but it probably has a lot to do with my also OCD obsession with lists. I live for lists.

Anyway, while this is happening the dragon’s mate, Pia, is traveling to the Elves to negotiate the end of a trade embargo. The embargo/trade parts (and really any of the practical business related bits) make no sense, but the book had to have some weaknesses. Everything else was pretty strong, including the cast of characters only just introduced in this book. There is even a pegasus. And a kraken for crying out loud. A KRAKEN. Stop it Thea Harrison. You are making me gushy about a romance novel that features pregnancy bits (vom). Stop it right now. p.s. next time moar kraken pls.

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Review: The House on Tradd Street (Tradd Street, #1) by Karen White

The House on Tradd Street (Tradd Street, #1)The House on Tradd Street by Karen White
My rating: 3 of 5 stars

I am not really big on mystery novels. This is not to say I can’t enjoy a good mystery in a novel. I just cannot handle it when the entire plot of a novel revolves around not knowing a bunch of very important things. I also loathe really obvious foreshadowing and poorly dealt out clues. Of course, these things can all be present in non -genre novels too. What was I saying? Oh yeah, this book had a lot of issues, but I liked it. I’m a huge sucker for the Southern small town secretsy society old buildings charming culturey setting. Like, big time. Even though I would probably hate living in any of these places.

Despite the Southern charm; this book is rife with plot holes and grammatical issues that an editor shouldn’t have missed. The protagonist, Melanie Middleton, is not sympathetic. She is a prickly bitch who has a number of really good friends for no discernible reason. She is 39 and clearly has severe Obsessive Compulsive issues as a result of childhood trauma, but doesn’t seek professional help despite being accurately diagnosed by multiple people in her life. I actually respected that she didn’t own casual clothing. But the way she kept fobbing the dog off on other people was the kiss of death for her in my eyes. The fact that I am interested in reading the sequel defies as much logic as she does but whatever I do what I want.

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Review: Oracle’s Moon (Elder Races, #4) by Thea Harrison

Oracle’s Moon by Thea Harrison
My rating: 2 of 5 stars

I admit I did some giggling and I liked this book, and liked Grace’s character, to an extent.

However I came into it expected a strong character like herself to be more independent. Really her salvation in the end came from a lot of convenient deus ex machina windfalls to make her life run more smoothly.

Plus there was that whole, “a man dropped into my life and now everything is great” and “omg you’re the best lover ever, you have mouths EVERYWHERE” thing.

I don’t know. Not a bad read, but not progressive or groundbreaking or particularly spellbinding in any way. Also, sparse plot.

But hey, it’s a romance novel.

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Review: Divergent (Divergent, #1) by Veronica Roth

Divergent (Divergent, #1)Divergent by Veronica Roth
My rating: 3 of 5 stars

I had a moment about midway into reading this book where I looked up and remarked aloud (I wasn’t alone in the room, not that that would have stopped me) that all authors steal, you know? They all have and they all do, and the difference between my noticing Veronica Roth “stealing” where I generally haven’t often noticed other authors before is that probably I’m just not as well read in their influences, predecessors, competitors, what have you.

It’s weird and feels wrong to admit, but I like dystopian fiction. I only say that it’s weird and feels wrong because I don’t particularly want to like it, as the idea of a dystopian future has haunted my nightmares since I was forced to watch the movie The Road two years ago. It was an awful experience, I was terrified and disgusted. However, I have to admit I like it because I’ve read so much of it. Scott Westerfeld’s Uglies series, The Hunger Games, The Host (yes, even Stephenie Meyer), Ender’s Game, Margaret Petersen Haddix’s Among the Hidden. To name a few.

Throughout Roth’s attempt to amalgamate these elements and visuals I was forcibly reminded of elements of all of these other works. It made me feel both kind of bored and also ridiculously well-read in this genre. But let’s focus on the boredom.

I couldn’t care too much about Tris because it became clear very early that our tiny, non-pretty, speshul snowflake wasn’t really going to come to harm. I liked her, but I’ve read book after book about small white blonde girls against the world, and it’s really tired. I only say this having read all of Tamora Pierce’s Alanna novels, plus other short authors like Laurell K. Hamilton (who I manage to mention in every. single. review. How??? I’m obsessed, clearly). We get it. Fighting people bigger than you is hard and takes more work. Geez. I should write a book where the protagonist faces the perils of bumping her head, can’t ever find long enough pants, tall enough dates, and consistently knocks things over in close quarters. Because normal to tall people seem to be an underrepresented minority in fiction. Or maybe I’m just being silly. Who knows.

But let’s not get me started about the feasibility of the entire plot. Getting through this novel required a huge suspension of not only disbelief, but also, you know, reality. Physics. Psychology. You know. Stuff.

It’s just so unlikely that the response to world disorder is a big ol’ personality quiz segregation. I mean, people are stupid, but it just doesn’t stand up to logic. Virtue ethics are great measures of character, but they don’t dictate behavior the way Roth designed the society to work.

All in all it just didn’t live up to the hype. Roth is a great writer, but I’ll hold out until a different series/novel appears to give her another go.

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Review: Devilish by Maureen Johnson

DevilishDevilish by Maureen Johnson
My rating: 4 of 5 stars

Jane Jarvis and Allison Concord are desperate to get through senior year at St. Teresa’s Preparatory School for Girls, where barbed wire keeps the boys out and the ancient nuns keep the girls in.

Jane and Allison have always been too quirky and different to be popular, but at least they’ve had each other. Then, after a hideous, embarrassing disaster, Allison comes to school transformed. Suddenly she has cute hair and clothes. She’s fluent in Latin, she won’t even speak to Jane, and within days she’s stolen Jane’s ex-boyfriend, Elton.

A strangely wise freshman boy, Owen, helps Jane discover the outrageous truth–that Allison has sold her soul to the devil. At first Jane doesn’t quite buy it. She plays along with the weirdness–and even gambles her own soul in order to rescue Allison. But events take a turn for the real, and Jane will have to save Allison before the bizarrely exclusive Poodle Prom, a party of biblical proportions that just might blow apart the world as Jane knows it.

So, I love Maureen Johnson’s personality. I’ve only had a chance to read a few of her books but I’ve noticed a certain disparity between her ability to be the best writer ever and actual evidence of that. For instance, I loved The Name of the Star but was underwhelmed by 13 Little Blue Envelopes. I still liked it, sure, but the pacing and the characters were so very different from NoTS and MJ’s wonderful zany Twitter delightfulness. I figured that it could have just been a sort of chronological developing process. But then I read Devilish.

I really liked this book you guys. It’s a really great read, and actually reminded me a good deal of Neil Gaiman’s American Gods and Good Omens (w/ Terry Pratchett).

It wasn’t entirely perfect, but it has definitely shored up my opinion of MJ’s novels. I am not at all afraid to delve into her older works as I was before. Because like the song goes, I wanna keep on loving you, MJ. *pats*

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