Review: Fifty Shades of Grey (Fifty Shades, #1) by E.L. James

Fifty Shades of Grey (Fifty Shades, #1)Fifty Shades of Grey by E.L. James
My rating: 1 of 5 stars

Full disclosure: while I didn’t like this book, I did read all the way through it, and might read the sequel, you know, for science. (Update 2/21/13: Yeah, no. I got through like 5 pages of the sequel. No. Update 08/18/2017: So I actually read the sequel eventually, maybe in 2015?. It wasn’t the absolute worst. I think I intended to read the third but haven’t yet.)

I’d planned to skip out on this one, but predictably, even I couldn’t escape the hype. The reasons I didn’t want to read this book were mostly because I didn’t know anything about it, and because it’s an “erotic” fiction/romance novel. I won’t deny I’ve delved into this genre before, but as comfortable as I am admitting I read Laurell K. Hamilton and Charlaine Harris, I don’t want my degree in English Literature taken away from me before the signature dries…

When I learned about it, my confusion deepened. Twilight fan fiction? Pass. I liked the Twilight series, for all of its flaws. I will defend it, cherish it, go see all of the terrible movies. But a BDSM bald-faced fic/rip-off? LOLWUT.

Long story short, I ended up reading Fifty Shades of Grey.

Read it, they said.

It will be fun, they said.

Twilight + SEX, they said.

I got through it without being bored, but outside of that, “they” need to expand their tastes. As the internet has been ranting (for what, a year now?) there is better smut on the internet. Written by somebody who actually understands how BDSM, virgins, and mental problems work. For crying out loud!

Issues (outside of the blatant intellectual property violations)include, but are not limited to:

1) José.
E.L. James chose to write a book with ONE person of color specified in it (Unless Leandra was too and I just missed it? Idk). She chose to include multiple references to character appearance and background. Therefore, she also chose to make Jacob-I mean José, an incredibly stereotyped Mexicano, spicy Latin non-entity.

I didn’t like how he was written, but I don’t want to get into it because in order to not stick my foot in my mouth I would need to dredge up a decent amount of research about the linguistic habits of first generation Americans bilingual in Spanish and English and how often they actually slip into Spanglish while assaulting their friends…

He is supposed to be Ana’s good friend of 4 years? Really? And suddenly after four years of devoted friendship he becomes pushy and can’t take “no” for an answer? Whatever, E.L. James.

2) The Britishisms.
The only explanation I will accept for what is obviously the oversight of a very lazy and/or inept editor is that Ana may or may not be an Anglophile and an unreliable narrator, given her love of Brit lit, and misquotes everyone around her with very colloquial, region specific British English.

Ana (and ostensibly, everyone else in the book) is American. E.L. James is British. If you are going to write a narrative with an American narrator it is kind of imperative you understand the differences in speech. Brits (and Ana) put bacon “under the grill.” Americans put bacon ON the grill (range, stove?), usually in a pan, so you don’t start a grease fire. This deviation in culinary descriptives happened at some point across the Atlantic, and while Americans can appreciably understand that homegirl is making bacon, they are definitely going to raise an eyebrow at the unfamiliar terminology (which probably is more to do with different cooking implements than actual bacon location, but whatev).

In the same strain: Americans use the word crap as a noun, usually, not an adjective. It is rare to hear an American twenty-something say she’s watching “crap TV” or that she is “crap at [verb].”

I will not go into the dialogue and things because I’m sure someone else has already addressed it exhaustively.

3. The sex was not exceptionally written.
So there was sex. Cool. Was it exciting? Not really. What kept me reading was waiting to see if this girl was going to come to her senses and realize she is in an abusive relationship and get the eff out!

Also, I know everyone is different, but I find it very hard to believe that a virgin can just magically be good at sex (especially with zero prior experience with her body or the male body at all) and feel no residual soreness. Not impossible, but, still. Unlikely.

4. Finally, the avoidance of the word VAGINA.
COME ON. This book is an erotic take on Twilight. Y U NO SAY VAGINA? I remember reading someone who had counted up the number of times the words “down there” are used…in italics…it was a lot. Sure, she says clitoris, okay. But what’s wrong with vagina? I’m tired of hearing about your “sex.”

Also, unrelated, I got creeped out early in with the usage of “Miss Steele.” It just feels creepy older man lecherous. Maybe this is another cultural thing? As far as I’m aware, most Americans, even very well raised polite ones, default to the informal first name when introducing themselves to acquaintances. Maybe not at job interviews, or press interviews, but the honorific is dropped pretty quickly once a relationship is established.

Anyway, TL;DR Fifty Shades of Grey isn’t that terrible, but it’s not good either. You’re not missing out on anything. Go about your lives, people.

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Review: White Cat (Curse Workers, #1) by Holly Black

White Cat (Curse Workers, #1)White Cat by Holly Black
My rating: 5 of 5 stars

Such a good book! I was reluctant to read it for a very long time because of my opinion of the other Holly Black books I’ve read (Tithe, Valiant, Ironside). They were okay, good even, but kind of lacking. I didn’t really connect with them and they didn’t impress me.

White Cat totally did. The concept is refreshing, and I liked how the mob elements gave a very gritty, realistic urban feel to the story.

I’m reading Red Glove now, and I’m happy to report: my trust in Holly Black’s writing has been fully restored.

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Review: Eona (Eon, #2) by Alison Goodman

Eona (Eon, #2)Eona by Alison Goodman
My rating: 4 of 5 stars

I wrote a glowing review for Eon, and I’m sad to say I can’t do the same for Eona. It just wasn’t as good, in my opinion, and I think that opinion largely comes from the flaws and weaknesses of the characters in this book: the second and final part of the story.

I know that’s nonsensical, because who wants to read about perfect flawless characters who never make mistakes and aren’t very realistic? Nobody, I suppose, but that didn’t stop me from despising every single character by the end of the book. Except maybe Dela, and the minor characters like Rilla, Vida and Tozay.

I honestly cannot understand the romance in the book either, because though Kygo/Eona is clearly set out to be the OTP, Kygo is a selfish asshat with serious rage issues, not to mention being controlling in a very scary way. But he’s *pretty* and a prince, so, you know, he’s AMAZING.

Sadly, I thought Ido was much better constructed, and I understood the relationship Goodman created between him and Eona, I was just disappointed to see he was really as villainous as when he was introduced.

Don’t even get me STARTED on Eona, who was utterly surrendered to the mercy of misogyny the minute she embraced her femininity. She was so strong as a boy, why couldn’t she be AS strong as a female character? It drove me nuts! Here I was thinking THIS woman was meant to begin to shift her society’s perceptions of women based on her high profile, dire responsibilities, and power, and she ended up just being a wishy-washy liar. If it can be said that she had strengths, they all fell into the set of “womanly” characteristics which I am so, so tired of seeing praised in “strong” female characters.

Let’s not even mention the irony of the fact that the Mirror Dragon is the keeper of Truth, and Eona consistently lies to every single person she comes in contact with, regardless of the fact that over and over again it proves to screw her over. I understood that in the context of her life, trust was difficult or impossible for her, but I still think a more perceptive character would have realized that lying is her undoing.

I guess if anything, she is written very convincingly as an incredibly naive 16 year old.

Despite ALL OF THAT, it was still a pretty engrossing read. Irritating at times, sure, but still well written.

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Review: Eon by Alison Goodman (Eon, #1)

Eon (Eon, #1)Eon by Alison Goodman
My rating: 5 of 5 stars

I vacillated between four and five stars for this book, and I ended up going with my *feels* instead of being hoity-toity and and judging it purely on its very few imperfections (of which I can’t call up an example at the moment, go figure).

Eon is written well, to start off. I was turning pages with an elevated heart rate, desperate to see what happened next. It was awesome. I was so sucked into the story and I felt Goodman gives the reader just the right amount of exposition about the geography and culture of Eon’s world. The history, not so much. This is crucial to the plot, however, as the reader begins to become aware, slowly, that a destructive patriarchy has erased and tried to rewrite the mystical laws and history of the world.

Speaking of, I really, really liked how Goodman confronted many feminist topics in a fantasy setting. Clearly, this is nothing new, especially YA fiction. I chose this book on Tamora Pierce’s recommendation (her quote is on the cover), and she has been writing pro-feminist YA fantasy for like, almost 30 years now? I think the major difference I would draw between a Pierce novel and Goodman’s Eon is that Tamora Pierce’s worlds sometimes have pockets of equalized cultures and traditions, in which women are protected. This is only hinted at in Eon, in which the eponymous character faces death with no quarter in hiding her sex. There is more hardness in Goodman’s reality, which seemed more realistic to me than Pierce’s style of tart practicality.

The other thing I really liked was the treatment of Lady Dela’s character. I won’t go into it to avoid spoilers, but suffice to say that I thought she was very well done by the author.

Anyway, I’m really looking forward to reading Eona, and I’m glad to have discovered another author who does fantasy so very well.

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Review: The Griffin Mage by Rachel Neumeier

The Griffin MageThe Griffin Mage by Rachel Neumeier
My rating: 3 of 5 stars

I wanted to buy the first novel separately, but Barnes & Noble only had the last two in stock, or the omnibus. So I went out on a limb and bought three books when I wasn’t even sure I was going to like the first one.

I’m on the second book right now and OMG, it’s so much better than the first, i.e. THERE IS ACTUAL DIALOGUE/I have some idea what’s going on. There is a plot, I can pronounce names, etc.

Don’t get me wrong, I kept going through the first one. I’m not as patient a book-finisher as I once was, so it kind of means something. The griffins seem cool, and the descriptions are kind of pretty.

The desert, however, made me roll my eyes SO HARD. I have lived in a desert. They are not all that, especially when your body is 70+ per cent water. For Kes, I guess that isn’t an issue.

Anyway, so far my complaints about the 1st book are essentially:

1)Can’t pronounce any of the names, and I study language. I’m not exactly sure which languages they’re supposed to be based from. Japanese? French? Greek? German? SO MANY VOWELS. If I can’t figure it out by the third time it’s mentioned, I stop caring.

2) There are no character relationships. Like, yeah, there are preexisting filial bonds between Kes & her sister, Bertaud & the king. But outside of that? Kes & Opailikiita? Arbitrary. Kes & Jos? Barren. Like, I get it, Kes has no emotions now, whatever, but apparently Jos doesn’t either? Bertaud is not even a real person (round character), in his slavish devotion to the king. I get it, he raised you. You contemplate his sternness and flaws but that just makes you love him more EVEN THOUGH YOU’RE JEALOUS OF HIS WIFE?

3)Meandering plot.

To be continued when I finish the next one.

Ok, finished all three. The next two books are so very differently written than the first. Being all up in Kes’ headspace is very disconcerting when you flip to the second book and all a sudden you’re following a completely different kind of character. Gereint is older, from a different country, and a slave. But he’s a lot easier to get to know, and a lot more likeable than Kes.

The third book is also easier to slip into for the same reason. They’re both good, solid reads.

My only complaints (of course I have some) are that the relation ships between Bertaud and… anyone? Tehre? are so lightly dealt with that the reader can only rely on conjecture about what he really felt. Mienthe mentions he seems disappointed, and based on the way Neumeier writes by this point you assume it’s his separation from the griffins that is his major disappointment, not that he’d loved and lost someone. I couldn’t even tell you if Mienthe is in love with anyone by the end, because she sort of goes out of her way to say she isn’t, but could be. GAHHH. Implications.

Normally readers complain about being told things point blank, but I think in this case I would have preferred that to being at sea about all of it.

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Review: The Master of Heathcrest Hall (Mrs. Quent, #3) by Galen Beckett

The Master of Heathcrest Hall (Mrs. Quent, #3)The Master of Heathcrest Hall by Galen Beckett
My rating: 3 of 5 stars

I’m trying really hard to decide whether or not I hated how easily all of the happily-ever-afters came.

I mean, they were all plausible enough. I suppose. But I generally am distrustful of authors who make every single element end the way I wanted them to end. This probably comes of reading George R. R. Martin and having my heart in my throat as I turn each page for fear someone I like has been murdered.

I don’t know, but I’m so glad Ivy and Rafferdy ended up together because he was my favorite character in the whole series, even though I had to read the word “punch” so many times I no longer care for it because of him.

My inner ship-fangirl is pleased, but my lit major critic is wondering how successful Beckett was, exactly, with his whole experiment. The “mystical reasons” men dominated women were NEVER argued. It was just kind of like, women are witches and magicians are aliens. There is no establishment for an argument. It begs the question.

Also, the list of things that went unexplained was far longer than the list of things that were. Such as, what exactly is a White Thorn, what can she do, and why does she have to be female?

Siltheri are men born of witches, but if they can be illusionists why couldn’t witches be too? Are there any homosexuals in this world who aren’t men with witch blood? I don’t think that was a particularly effective means of explaining the gay away. Especially because I don’t see how being a witch’s son would make you gay everysingletime.

I enjoyed the book, but really think it could have been better.

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Review: Devilish by Maureen Johnson

DevilishDevilish by Maureen Johnson
My rating: 4 of 5 stars

Jane Jarvis and Allison Concord are desperate to get through senior year at St. Teresa’s Preparatory School for Girls, where barbed wire keeps the boys out and the ancient nuns keep the girls in.

Jane and Allison have always been too quirky and different to be popular, but at least they’ve had each other. Then, after a hideous, embarrassing disaster, Allison comes to school transformed. Suddenly she has cute hair and clothes. She’s fluent in Latin, she won’t even speak to Jane, and within days she’s stolen Jane’s ex-boyfriend, Elton.

A strangely wise freshman boy, Owen, helps Jane discover the outrageous truth–that Allison has sold her soul to the devil. At first Jane doesn’t quite buy it. She plays along with the weirdness–and even gambles her own soul in order to rescue Allison. But events take a turn for the real, and Jane will have to save Allison before the bizarrely exclusive Poodle Prom, a party of biblical proportions that just might blow apart the world as Jane knows it.

So, I love Maureen Johnson’s personality. I’ve only had a chance to read a few of her books but I’ve noticed a certain disparity between her ability to be the best writer ever and actual evidence of that. For instance, I loved The Name of the Star but was underwhelmed by 13 Little Blue Envelopes. I still liked it, sure, but the pacing and the characters were so very different from NoTS and MJ’s wonderful zany Twitter delightfulness. I figured that it could have just been a sort of chronological developing process. But then I read Devilish.

I really liked this book you guys. It’s a really great read, and actually reminded me a good deal of Neil Gaiman’s American Gods and Good Omens (w/ Terry Pratchett).

It wasn’t entirely perfect, but it has definitely shored up my opinion of MJ’s novels. I am not at all afraid to delve into her older works as I was before. Because like the song goes, I wanna keep on loving you, MJ. *pats*

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Review: The Girl Who Chased the Moon by Sarah Addison Allen

The Girl Who Chased the MoonThe Girl Who Chased the Moon by Sarah Addison Allen
My rating: 4 of 5 stars

I rant and rave about Sarah Addison Allen a lot, but she’s just so good at what she does. Granted, what she does is very formulaic, but I really like the formula.

Sleepy southern towns with very particular social circles and sets of rules, prickly oppressive mothers and society types, lots of traditions, rebellion, repressed or unrequited feelings and usually a protagonist who really hasn’t found him or herself fully, yet. And magic.

Sign. Me. Up.

As willing as I am to love these stories, I am not so blinded by love that I can’t see their flaws, too. The Girl Who Chased the Moon had every single thing that Allen’s books always have, but for some reason the emotional connection wasn’t there. There were a lot of characters who could have received more stage time and really yanked on my unraveling heart-strings, like Stella, Vance, and the character breezily mentioned throughout but not introduced at the end.

Emily could have gone to high school and been tormented more than the normal, high school-standard amount. Win could have a personality, not just a completely baseless (other than hormonal) motive. Julia could have been more reserved, emotionally scarred. Sawyer could have been more reserved, more emotionally scarred. I mean, that whole “Alexander men” thing was just tossed at me and then snatched away. I want depth and family legends damnit! Speaking of…

The family legend thing could have been explored in more depth. To sum up, a LOT of things that could have really enriched this book lay fallow in the field.

But it was still a very good read. I can only hope that in any subsequent stories Sara Addison Allen will be in top form and will emotionally devastate me just the way I like it.

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Review: Chime by Franny Billingsley

ChimeChime by Franny Billingsley
My rating: 5 of 5 stars

Ok, so five stars, and here is why: this book richly deserves five stars. It is BEAUTIFULLY written. It is not, however, going to seem beautifully written to many or even most people, for the very reason it is a dark-twisty-wonderful mess of beauty.

I won’t lie, it almost lost me. I was about 30% of the way through when I stopped reading and started looking for something else. Reading the first half of this book, to me, was a lot like a reading assignment for school. I’m an English major who enjoys poetry only when it is not force fed. And that (being an English major) gives me the authority to refer to the twisty rabbit warren mind of Briony, the narrator, in this first part. It is complex, it is boring, but BOY HOWDY will it all start to make sense later.

Take it in, slowly. Small chunks. Pace yourself, take your time, be patient with this book. Let yourself get bored, but please please try to finish it, because it is so worth the effort!

Usually I have trouble immersing myself into anything that isn’t info-dump-tastic and incredibly oversimplified without massive distrust of the author’s skill, and to a certain extent that happened here. Once I started to figure out what was going on in the story, my brain was highjacked, my disbelief suspended.

The characters were really well done. My favorite part of the story is Elderic. I am usually not so susceptible to male characters, but I couldn’t help but be charmed. He was just so dang understanding and raffish and frankly calling any man leonine is enough to make my imagination do implausible things.

Ok, now I’m just gushing and not saying anything particularly useful. My final remark is that I liked this book for the same reason I love Diana Wynne Jones’ Fire & Hemlock. There are some similarities, but mostly I am referring to the fact that it’s hard to tell exactly what is going on but you love it all the same.

Just read it, all the way through. I probably will again soon.

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Review: How to Be Popular by Meg Cabot

How to Be PopularHow to Be Popular by Meg Cabot
My rating: 3 of 5 stars

Ok, so I picked up a copy of this book in a thrift store and it just happened to be autographed! I couldn’t just LEAVE it there. And I also couldn’t NOT read it. So after I read Jinx, which I also found in the same thrift store, I gave it a go.

And I liked it, sure. But given how incredibly similar the elements of the characters and even some of the story was, well… Let’s just say I wasn’t bowled over. But I liked it.

Meg Cabot is absolutely knock-your-socks-off wonderful, but she’s proven that she has her highs (Mediator series) and her lows (Insatiable). I’d say that if I were the intended age, this book would have fallen somewhere in the middle. But since I’ve long since left high school, I am very meh about it. A good meh, though. A worth-reading-if-you-have-the-spare-time meh.

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